Project Space exhibitions run as an extension of the Pro Arts gallery exhibitions or as corresponding concurrent shows which expand upon themes within the gallery walls.
The Project Space is a window gallery facing Frank Ogawa Plaza. This public-facing space allows artists to interact with a diverse public and engage with the Oakland community.
Students from the Pro Arts’ Youth Fellows program have taken a critical eye to the way messages constantly speak to them from glowing screens to billboards to lines painted on pavement. These messages from both advertisements and the built environment transmit direct messages to students to behave like this, look like that, be more successful, more hot, more compliant. These students are talking back. They have something to say.
Pro Arts’ Youth Fellows program integrates arts education, exhibition opportunities, professional arts training and youth development in four Oakland High Schools. The 2017 Youth Fellows program ran for twelve weeks from January through May 2017. This year 40 students participated in the program, led by Pro Arts’ Teaching Artist, Christopher White.
RELATED PUBLIC PROGRAM
OPENING RECEPTION: Saturday, May 13, 2:00 p.m. – 4:00 p.m.
Pro Arts’ Youth Fellows Program and their final exhibition BackTalk is generously funded by The City of Oakland’s Cultural Funding Program, the Walter & Elise Haas Fund, and Arts for Oakland Kids.
Iterations of the Kitchen: OUSD Transitional Kindergarten + Kindergarten Students
Facilitated by Paula Hansen, Pro Arts Teaching Artist
February 3 – 24, 2017
Inspired by the exhibition in our main gallery “Technologies of the Kitchen”, Pro Arts teaching artist, Paula Hansen facilitated a lesson plan encouraging Oakland Unified School District Kindergarten and Transitional-Kindergarten students to think about their identity.
Through an unconventional use of kitchen materials, students created a collective work that represents and visually conveys personal and shared identities. Art materials included kitchen twine, muslin, tea bags (of multiple origins), as well as markers. Each student was given a swath of muslin on which to craft a personal flag, using color, line, pattern to visually express one’s feelings. For this installation, these newly created flags are strung on kitchen twine creating a collective work.
At the core, this in-classroom arts activity invited students to think about, how do I express myself? How can I use color and shape to visualize my identity? How does my identity become a part of a larger community?
Classrooms included students from Community United Elementary (Dana Parsons, Teacher), Reach Academy (Carmina Portea, Teacher) and Bridges Academy at Melrose (Bernadette Zermeno, Teacher).
RELATED PUBLIC PROGRAMS:
Opening Reception: Friday, February 3, 6:00 – 9:00pm
ABOUT PAULA HANSEN
Paula Malesardi Hansen’s work resides at the interstice of art, design and education. Paula moved from New York, where she was born and raised, to San Francisco in 1998, after receiving her Bachelor of Fine Arts from School of Visual Arts. Her work has been featured in exhibitions and events at galleries and alternative spaces including Yerba Buena Center for the Arts, San Francisco Museum of Modern Art, Adobe Books Backroom Gallery, Southern Exposure and New Image Art. Paula is currently earning her Integrated Learning Specialist Certificate through the Alameda County Office of Education.
Chin Study, 2015 (Drawings & Animation) & Smoke Stack Castle, 2016 (Animation)
by @traymedia (Tatiana Ray)
January 6 – January 27, 2017
Tatiana Ray is a multidisciplinary artist from the Bay Area. She received a Bachelor’s in Performance and Anthropology from Saint Mary’s College in 2012. A mixture of traditional performance training and self-taught visual techniques pronounces her subjects as expressive characters. Growing up onstage fostered a fascination for character. Her use of visual work helped as a coping technique for documenting and surviving the performance industry. Later her visual and performance work became a support in tandem. She produces work in a multitude of mediums to explore the emotional, surreal and political. She has exhibited through BASEarts, The Art and Culture Commission and Studio Morey. She has been featured in many group shows including The Dreams of Yesterday, and the Dreams of Today and Experimental Film. Her most recent project, a series of colorful portraits, has toured the Bay Area since June 2015. Tatiana lives and works in Martinez, CA.
$148,475.59 by James David Lee
December 2 – December 21, 2016
$148,475.59 is an installation that presents the paper documentation of James David Lee’s student loan debt, which includes his loan application, promissory note, bank correspondence, and debt management materials from the lender. These are all evidence of the $148,475.59 that the artist must repay.
Lee’s installation explores the personal, political, and economic dimensions of debt. Debt often arises from individual aspirations (getting a certain degree, owning a home in a certain place), yet financial institutions, when they transform this debt into financial products, aggregate, average, and anonymize these singular, human characteristics. By doing this, financial institutions look to quantify and reduce risk, but that risk is wily and unpredictable with unique circumstances at play. Credit risk is inextricable from societal factors of class and race, ultimately raising questions about debt as an instrument of structural injustice.
She Breathes by Bre Gipson
October 8 – November 12, 2016
She Breathes offers a peak into a possible new world, hidden within our own. For this installation, Gipson creates life-size sculptures of crystallized globs and dripping forms to place the viewer in an environment between fantasy and reality. To create these new landscapes, Gipson uses a variety of materials including foam, latex paint, glass, synthetic hair, salt, sugar, crystals, plastic, drinking straws, and bouncy balls. Gipson aims to explore the unknown and exploit our understanding of what is real by constructing new environments from disregarded materials.
Musical Chairs by Warith Taha
September 2 – September 30, 2016
Pro Arts Project Space presents Musical Chairs by Warith Taha that incorporates assemblage-altered chairs to explore the gentrification process and its impact on the Bay Area art scene, local artists, and long-time residents. As a metaphor for the displacement and movement of populations, Musical Chairs examines the way housing development works, and fails, in low-income communities—where when the music ends, there is always someone left, without a place to sit. The chairs used in the exhibition Musical Chairs thus act as functional signifiers for the processes of gentrification, displacement and dislocation—all prevalent in our local neighborhoods today.
2 x 2 Solos by Dimitra Skandali
July 7, 2016 – July 28, 2016
Dimitra Skandali’s site-specific installation of found, natural and manmade materials exploring the desire for connectivity, the fragility of networks and the effects of displacement in relationship to the body.
2 x 2 Solos is a series of solo exhibitions featuring new work from four accomplished emerging artists based in the Oakland/Bay Area. The program recognizes artistic excellence and supports the freedom to create challenging and noncommercial work. The July pairing features artist Dimitra Skandali in now the weakening shadow remains, and its cracked confidence…, curated by Samantha Reynolds.
Home by Jessica Wassil & Mads Vind Ludvigsen
May 6, 2016 – June 27, 2016
In connection to the exhibition Home, Pro Arts Project Space presents an installation by artists Jessica Wassil and Mads Vind Ludvigsen. Wassil and Vind Ludvigsen further explore the many facets within the concept and reality of “home”.
Posters for Imaginary Events by Shapes Collective
April 13, 2016 – April 27, 2016
Posters for Imaginary Events uses interviews and personal ephemera to generate a series of fictional and actual event posters. Shapes Collective (Dana Dart-McLean and Amanda N. Simons) interviewed community members at SAHA (Satellite Affordable Housing Associate) to generate text and gather images for a series of 5 collaboratively produced with those community members original art posters.
Sense Memories by Elisabeth Nicula
March 4, 2016 – April 9, 2016
Pro Arts Project Space presents Sense Memories, Elisabeth Nicula’s exploration into image and experience. Nicula’s projects begin with repetitive mark-making. For the past few years she has been engaged with real and implied movement across several media—woodcuts, GIFs, videos, websites—and has been developing narrative within what is fundamentally a process-driven work. For Sense Memories, Nicula searched through her hard drive and phone for snapshots that she had forgotten, treating her digital cache as a source of found objects that are discrete moments from her life, remembered by machinery. Human memories are imperfect, exaggerated, or conflated, but exist in the fullness of an inner life, here she conveys an impression of these abstracted memories via the GIF animations.
I Got You, Babe by Oskar Lawrence Brent Malone
February 9, 2016 – March 6, 2016
Oskar Lawrence Brent Malone utilizes media outlets, video, performance, sculpture, and crossed medias to explore identities rooted from deeply diverse demographical & fantasy-realities”. His films and sculptures expose and challenge stereotypes, bigotry, and cognitive dissonance with humor and plot twists. Malone lives and works in Oakland, CA.
From Me to You by Valerio Figuccio
January 6, 2016 – February 7, 2016
In February 2015, Valerio Figuccio traveled to Ginostra, a village on the volcanic island of “Stromboli”. Stromboli is one of the archipelagos of the Aeolian Islands, which are located north of Sicily, Italy. The volcano on the island is still active. After the last major eruption in 1930, about 80% of the residents left the island. Inspired by the movie “Stromboli” by Roberto Rossellini (1950), Figuccio visited the island for the first time in summer 2014. The video installation is a portrait of the island, the people and their everyday life. Figuccio looked for people who have already experienced eruptions and asked them about their relationship with the island, the village and the volcano. The protagonists live and work in Ginostra in constant certainty that any time another eruption could happen. There are concentrated, long shots that capture the nature and show the effects